WHEN Dionysus invaded India--for I may tell you a Bacchic legend, may I not?--it is recorded that the natives so underrated him that his approach only amused them at first; or rather, his rashness filled them with compassion; he would so soon be trampled to death by their elephants, if he took the field against them. Their scouts had doubtless given them amazing details about his army: the rank and file were frantic mad women crowned with ivy, clad in fawn-skins, with little pikes that had no steel about them, but were ivy-wreathed
All this was food for laughter, as well it might be, to the Indians and their king: Take the field? array their hosts against him? no, indeed; at worst they might match their women with his, if he still came on; for themselves such a victory would be a disgrace; a set of mad women, a general in a snood, a little old drunkard, a half-soldier, and a few naked dancers; why should they murder such a droll crew? However, when they heard how the God was wasting their land with fire, giving cities and citizens to the flames, burning their forests, and making one great conflagration of all India--for fire is the Bacchic instrument, Dionysus's very birthright--, then they lost no more time, but armed; they girthed, bitted, and castled their elephants, and out they marched; not that they had
But you wonder what all this is about--suspect me, possibly, of being only too fresh from the company of Bacchus. Perhaps the explanation, involving a comparison of myself with Gods, will only more convince you of my exalted or my drunken mood; it is, that ordinary people are affected by literary novelties (my own productions, for instance) much as the Indians were by that experience. They have an idea that literary satyr-dances, absurdities, pure farce, are to be expected from me, and, however they reach their conception of me, they incline to one of two attitudes. Some of them avoid my readings altogether, seeing no reason for climbing down from their elephants and paying attention to revelling women and skipping satyrs; others come with their preconceived idea, and when they find that the thyrsus-head has a steel point under it, they are too much startled by the surprise to venture approval. I confidently promise them, however, that if they will attend the rite repeatedly now as in days of yore, if my old boon-companions
What effect their draught produces on the children, what doings the men are spurred to, Pan-ridden, must not detain us; but the behaviour of the old under their water intoxication has its interest. As soon as one of them has drunk, and Silenus has possessed him, he falls dumb for a space like one in vinous lethargy; then on a sudden his voice is strong, his articulation clear, his intonation musical; from dead silence issues a stream of talk; the gag would scarce restrain him from incessant chatter; tale upon tale he reels you off. Yet all is sense and order withal; his words are as many, and find their place as well, as those 'winter snowflakes' of Homer's orator. You may talk of his swan-song if you will, mindful of his years; but you must add that his chirping is quick and lively as the grasshopper's, till evening comes; then the fit is past; he falls silent, and is his common self again. But the greatest wonder
H.