ARE the narratives of Genesis history or legend? For the modern historian this is no longer an open question; nevertheless it is important to get a clear notion of the bases of this modern position. The writing of history is not an innate endowment of the human mind; it arose in the course of human history and at a definite stage of development. Uncivilised races do not write history; they are incapable of reproducing their experiences objectively, and have no interest in leaving to posterity an authentic account of the events of their times. Experiences fade before they are fairly cold, and fact and fancy mingle; only in poetical form, in song and saga, are unlettered tribes able to report historical occurrences. Only at a certain stage of civilisation has objectivity so grown and the interest in transmitting national experiences to posterity so increased that the writing of history becomes possible. Such history has for its subjects great Now, since legend and history are very different in both origin and nature, there are many criteria by which they may be distinguished. One of the chief points of difference is that legend is originally oral tradition, while history is usually found in written form; this is inherent in the nature of the two But the whole style of the narrative, as is to be shown hereafter, can be understood only on the supposition of its having been oral tradition; this state of the case can be realised especially through the many variants, to be treated in the following pages. But if the contents of Genesis is oral tradition, it is, as the preceding considerations show, legend also. Another distinguishing feature of legend and history is their different spheres of interest. History treats great public occurrences, while legend deals In the case of every event that purports to be a credible historical memorandum, it must be possible to explain the connexion between the eye-witness of the event reported and the one who reports it. This is quite different in the case of legend, which depends for its material partly upon tradition and The clearest criterion of legend is that it frequently reports things which are quite incredible. This poetry has another sort of probability from that which obtains in prosaic life, and ancient Israel considered many things to be possible which to us seem impossible. Thus many things are reported in Genesis which go directly against our better knowledge: we know that there are too many species of animals for all to have been assembled in any ark; that Ararat is not the highest mountain on earth; that the "firmament of heaven," of which Genesis i. 6 ff. speaks, is not a reality, but an optical illusion; that the stars cannot have come into existence after plants, as Genesis ii. 10-14 reports; that the rivers of the earth do not come chiefly from four principal streams, as Genesis ii. thinks, that the Tigris and the Euphrates have not a common source, that the Dead Sea had been in existence long before human beings came to live in Palestine, instead of originating in historical times, and so on. The narratives of Genesis being mostly of a religious nature are constantly speaking of God. Now the manner in which narratives speak of God is one of the surest means of determining whether they are historical or poetic. Here too the historian cannot avoid having a universal point of view. We believe that God works in the universe in the silent and secret background of all things; sometimes his influence seems almost tangible, as in the case of exceptionally great and impressive events and personalities; we divine his control in the marvellous
And these arguments are immensely strengthened when we compare the narratives which on inner evidence we regard as poetry with the specimens which we know of strict Israelitish history. For these violations of probability and even of possibility are not found throughout the Old Testament, but only in certain definite portions possessing a uniform tone, whereas they are not to be found in other portions which for other reasons we regard as moreTHE SIGNIFICANCE AND SCOPE OF THE LEGENDS.
DIFFERENT SPHERES OF INTEREST.
EYE-WITNESS AND REPORTER.
WANING ANTHROPOMORPHISM.