Critias of Athens lived from about 480 B.C. to 403 B.C.
He wrote in verse and prose. His verse works included a poem in hexameters on the poets; elegiacs on inventions, on Constitutions, and other subjects; experimental verses; and plays. He also wrote in prose on Constitutions; and his other prose works included Conversations, Aphorisms,
Plays 2
10. (Of the plays attributed to Euripides, three are spurious: 'Tennês', 'Rhadamanthys', 'Peirithôus').
(From 'Tennês')
11. (Tennês: eponymous hero of Tenedos).
12. Alas! Nothing is just in the present generation.
(From 'Rhadamanthys')
12a. (End of hypothesis discovered at Oxyrhynchus).
13. Nobody will take us away . . .
14. . . . Who live in Euboea, neighbouring State . . .
(From 'Sisyphus', satyric play)
25. There was a time when the life of men was unordered, bestial and the slave of force, when there was no reward for the virtuous and no punishment for the wicked. Then, I think, men devised retributory laws, in order that Justice might be dictator and have arrogance as its slave, and if anyone sinned, he was punished. Then, when the laws forbade them to commit open crimes of violence, and they began to do them in
42. (From 'On the Nature of Love', or 'of the Virtues'): He is bad-tempered who is vexed over trifles, and over big things either more than other men, or for a longer time.
43. (Title: 'Popular Prooemia').
(From unspecified prose works)
44. (Critias, blaming Archilochus for vilifying himself, says): Otherwise, if he had not published this view of himself in Greece, we should not have known either that he was the son of Enîpô, a slave-woman, nor that he left Paros because of poverty and destitution and went to Thasos, nor that when there he was on bad terms with the inhabitants, nor that he vilified friends and foes equally. Moreover, we would not have known that he was an adulterer, nor lustful and violent, if we had not learnt it from him, andmost disgraceful of allthat he threw away his shield. So that Archilochus was not a good witness for himself, leaving behind such a reputation and such a name.
45. (Before Themistocles took up politics, he had an inheritance of three talents; when he was banished and his property confiscated, he was found to have one hundred talents. So too Clean had nothing of his own before he entered politics, but afterwards he left behind a property of fifty talents).
46, 47. (Comparison of Critias style with that of Xenophon).
48. A feminine form is the greatest beauty in men; in women, the opposite.
49. Nothing is certain, except that having been born we die, and that in life one cannot avoid disaster.
50. (Homer's father was a river).
155:1 Cp. Democritus, Frg. 242.
155:2 See Companion, pp. 411-52, for reasons for attributing these plays to Critias.
157:1 Attribution to Critias by Welcker and Wilamowitz; the latter gives to Critias Eur. Frg. inc. 964 also (Vors. Vol. II, 14, 5).