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The Little Clay Cart: Act the Fifth: The Storm | DeepTome | DeepTome

And yet:

Thunder and rain and lighten hundredfold
Forth from thy sky above;
The woman canst thou not delay nor hold
Who journeys to her love.

Let thunders roar, for men were cruel ever;
But oh, thou maiden lightning! didst thou never
Know pains that maidens know?

Courtier. But mistress, do not scold the lightning. She is your friend,

This golden cord that trembles on the breast
Of great Airāvata; 
1 upon the crest
Of rocky hills this banner all ablaze;
This lamp in Indra's palace; but most blest
As telling where your most belovèd stays.

Vasantasenā. And here, sir, is his house.

Courtier. You know all the arts, and need no instruction now. Yet love bids me prattle. When you enter here, you must not show yourself too angry.

Where anger is, there love is not;
Or no! except for anger hot,
There is no love.

Be angry! make him angry then!
Be kind! and make him kind again
The man you love.

So much for that. Who is there? Let Chārudatta know, that

While clouds look beautiful, and in the hour
Fragrant with nīpa and kadamba flower,
She comes to see her lover, very wet,
With dripping locks, but pleased and loving yet.
Though lightning and though thunder terrifies,
She comes to see you; ’tis for you she sighs.
The mud still soils the anklets on her feet,
But in a moment she will have them sweet.

Chārudatta. [Listening.] My friend, pray discover what this means.

Maitreya. Yes, sir. [He approaches Vasantasenā. Respectfully.] Heaven bless you!

Vasantasenā. I salute you, sir. I am very glad to see you. [To the courtier.] Sir, the maid with the umbrella is at your service.

Courtier. [Aside.] A very clever way to get rid of me. [Aloud.] Thank you. And mistress Vasantasenā,

Pride and tricks and lies and fraud
Are in your face;
False playground of the lustful god,
Such is your face;
The wench's stock in trade, in fine,
Epitome of joys divine,
I mean, your face
For sale! the price is courtesy.
I trust you'll find a man to buy
Your face.

[Exit.]

Vasantasenā. Good Maitreya, where is your gambler?

Maitreya. [Aside.] "Gambler"? Ah, she's paying a compliment to my friend. [Aloud.] Madam, here he is in the dry orchard.

Vasantasenā. But sir, what do you call a dry orchard?

Maitreya. Madam, it's a place where there's nothing to eat or drink. [Vasantasenā smiles.] Pray enter, madam.

Vasantasenā. [Aside to her maid.] What shall I say when I enter?

Vasantasenā. Shall I dare to say it?

Maid. When the time comes, it will say itself.

Maitreya. Enter, madam.

Vasantasenā. [Enters, approaches Chārudatta, and strikes him with the flowers which she holds.] Well, gambler, what luck this evening?

Chārudatta. [Discovers her.] Ah, Vasantasenā is here. [He rises joyfully.] Oh, my belovèd,

My evenings pass in watching ever,
My nights from sighs are never free;
This evening cannot else than sever
In bringing you—my grief and me.

You are very, very welcome. Here is a seat. Pray be seated.

Maitreya. Here is a seat. Be seated, madam. [Vasantasenā sits, then the others.]

Chārudatta. But see, my friend,

The dripping flower that decks her ear, droops down,
And one sweet breast
Anointed is, like a prince who wears the crown,
With ointment blest.

My friend, Vasantasenā's garments are wet. Let other, and most beautiful, garments be brought.

Maitreya. Yes, sir.

Maid. Good Maitreya, do you stay here. I will wait upon my mistress. [She does so.]

Maitreya. [Aside to Chārudatta.] My friend, I'd just like to ask the lady a question.

Chārudatta. Then do so.

Maitreya. [Aloud.] Madam, what made you come here, when it is so stormy and dark that you can't see the moon?

Maid. Mistress, the Brahman is very plain-spoken.

The artifice we tried before,
Her stolen treasure to restore,
Is practised now on us. But no,
I cannot think ’tis really so.

Maitreya. But it is so. I swear it on my Brahmanhood.

Chārudatta. This is welcome news.

Maitreya. [Aside to Chārudatta.] I'm going to ask where they found it.

Chārudatta. I see no harm in that.

Maitreya. [Whispers in the maid's ear.] There!

Maid. [Whispers in Maitreya's ear.] So there!

When in this world a man has lost his all,
Why should he set his heart on longer life?
His angers and his favors fruitless fall,
His purposes and powers are all at strife.

Like wingless birds, dry pools, or withered trees,
Like fangless snakes—the poor are like to these.

Like man-deserted houses, blasted trees,
Like empty wells—the poor are like to these.
For them no pleasant hours serve happy ends;
They are forgotten of their sometime friends.

Maitreya. But you must not grieve thus beyond reason. [He bursts out laughing. Aloud.] Madam, please give me back my bath-clout.

Vasantasenā. Chārudatta, it was not right that you should show your distrust of me by sending me this pearl necklace.

Chārudatta. [With an embarrassed smile.] But remember, Vasantasenā,

Who will believe the truth?
Suspicion now is sure.
This world will show no ruth
To the inglorious poor.

The falling waters pierce the cloud,
As lotus-shoots the soil;
And tears the face of heaven shroud,
Who weeps the moon's vain toil.

And again:

In streams as pure as thoughts to good men given,
But merciless as darts that Arjun hurls,
And black as Baladeva's cloak, the heaven
Seems to pour out all Indra's hoarded pearls.

See, my belovèd, see!

The heaven is painted with the blackest dye,
And fanned by cool and fragrant evening airs;
Red lightning, glad in union, clasps the sky
With voluntary arms, and shows on high
The love that maiden heart to lover bears.

[Vasantasenā betrays her passion, and throws her arms about Chārudatta. Chārudatta feels her touch, and embraces her.]

Chārudatta. More grimly yet, O thunder, boom;

For by thy grace and power
My love-distracted limbs now bloom
Like the kadamba flower.
Her dear touch all my being thrills,
And love my inmost spirit fills.

Maitreya. Confound you, storm! You are no gentleman, to frighten the lady with the lightning.

Let ceaseless rain a hundred years endure,
The lightning quiver, and the thunder peal;
For what I deemed impossible is sure:
Her dear-loved arms about my neck I feel.

And oh, my friend,

He only knows what riches are,
Whose love comes to him from afar,
Whose arms that dearest form enfold,
While yet with rain ’tis wet and cold.

Vasantasenā, my belovèd,

The masonry is shaken; and so old
The awning, that ’twill not much longer hold.
Heavy with water is the painted wall,
From which dissolving bits of mortar fall.

[He looks up.] The rainbow! See, my belovèd, see!

See how they yawn, the cloudy jaws of heaven,
As by a tongue, by forkèd lightning riven;
And to the sky great Indra's fiery bow
In lieu of high-uplifted arms is given.

Come, let us seek a shelter. [He rises and walks about.]

On palm-trees shrill,
On thickets still,
On boulders dashing,
On waters splashing,
Like a lute that, smitten, sings,
The rainy music rings.

[Exeunt omnes.


Footnotes

75:1 In Indian love-poetry, the rainy season is the time when lovers most ardently long to be united.

75:2 In allusion to Vishnu's name, Krishna, "black."

77:1 A gesture of respect.

81:1 The goddess of wealth and beauty, usually represented with a lotus.

81:2 Kāma's (Cupid's) arrows are flowers.

82:1 Throughout this scene, Vasantasenā's verses are in Sanskrit. Compare note 1 on page 73.

83:1 The cry of the heron resembles the Sanskrit word for "rain." Indian love-poetry often paints the sorrow, even unto death, of her whose belovèd does not return before the rainy season.

86:1 The elephant of Indra. Indra is the god of the thunderstorm.