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The Little Clay Cart: Act the Sixth: The Swapping of the Bullock-Carts | DeepTome | DeepTome

Vīraka. Well, well, Chandanaka! Chārudatta? Vasantasenā?

I know them perfectly, as well as I know anything;
But I do not know my father when I'm serving of my king.

Aryaka. [To himself.] In a former existence the one must have been my enemy, the other my kinsman. For see!

Their business is the same; their ways
Unlike, and their desire:
Like flames that gladden wedding days,
And flames upon the pyre.

Chandanaka. You are a most careful captain whom the king trusts. I am holding the bullocks. Make your inspection.

Vīraka. You too are a corporal whom the king trusts. Make the inspection yourself.

Chandanaka. If I make the inspection, that's just the same as if you had made it?

Vīraka. If you make the inspection, that's just the same as if King Pālaka had made it.

Bold Bhīma's spirit I will show;
My arm shall be my sword.
Better a warrior's death than woe
That cells and chains afford.

But the time to use force has not yet come. [Chandanaka enters the cart and looks about.] I seek your protection.

Chandanaka. [Speaking in Sanskrit.] He who seeks protection shall be safe.

Aryaka. Whene’er he fight, that man will suffer hurts,

Will be abandoned of his friends and kin,
Becomes a mock forever, who deserts
One seeking aid; ’tis an unpardoned sin.

Chandanaka. What! the herdsman Aryaka? Like a bird that flees from a hawk, he has fallen into the hand of the fowler. [Reflecting.] He is no sinner, this man who seeks my protection and sits in Chārudatta's cart. Besides, he is the friend of good Sharvilaka, who saved my life. On the other hand, there are the king's orders. What is a man to do in a case like this? Well, what must be, must be. I promised him my protection just now.

He who gives aid to frightened men,
And joys his neighbor's ills to cure,
If he must die, he dies; but then,
His reputation is secure.

[He gets down uneasily.] I saw the gentleman—[correcting himself.] I mean, the lady Vasantasenā, and she says "Is it proper, is it gentlemanly, when I am going to visit Chārudatta, to insult me on the highway?"

Vīraka. Chandanaka, I have my suspicions.

Chandanaka. Suspicions? How so?

Chandanaka. What's the matter with you, man? We southerners don't speak plain. We know a thousand dialects of the barbarians—the Khashas, the Khattis, the Kadas, the Kadatthobilas, the Karnātas, the Karnas, the Prāvaranas, the Drāvidas, the Cholas, the Chīnas, the Barbaras, the Kheras, the Khānas, the Mukhas, the Madhughātas, and all the rest of ’em, and it all depends on the way we feel whether we say "he" or "she," "gentleman" or "lady."

Vīraka. Can't I have a look, too? It's the king's orders. And the king trusts me.

Chandanaka. I suppose the king doesn't trust me!

Vīraka. Isn't it His Majesty's command?

Chandanaka. [Aside.] If people knew that the good herdsman escaped in Chārudatta's cart, then the king would make Chārudatta suffer for it. What's to be done? [Reflecting.] I'll stir up a quarrel the way they do down in the Carnatic. [Aloud.] Well, Vīraka, I made one inspection myself—my name is Chandanaka—and you want to do it over again. Who are you?

Vīraka. Confound it! Who are you, anyway?

Chandanaka. An honorable and highly respectable person, and you don't remember your own family.

Vīraka. [Angrily.] Confound you! What is my family?

Chandanaka. Who speaks of such things?

Vīraka. Speak!

Chandanaka. I think I'd better not.

I know your family, but I won't say;
'T would not be modest, such things to betray;
What good's a rotten apple anyway?

Vīraka. Speak, speak! [Chandanaka makes a significant gesture.] Confound you! What does that mean?

That looks like scissors in the other wing
To trim the scrubby beards that curl and cling,
And you—why, you're a captain of the king!

Vīraka. Well, Chandanaka, you highly respectable person, you don't remember your own family either.

Chandanaka. Tell me. What is the family I belong to, I, Chandanaka, pure as the moon?

Vīraka. Who speaks of such things?

Chandanaka. Speak, speak! [Vīraka makes a significant gesture.] Confound you! What does that mean?

Vīraka. Listen.

Your house is pure; your father is a drum,
Your mother is a kettledrum, you scum!
Your brother is a tambourine—turn, turn!
And you—why, you're a captain of the king!

Chandanaka. [Wrathfully.] I, Chandanaka, a tanner! You can look at the cart.

Vīraka. You! driver! turn the cart around. I want to look in. [Vardhamānaka does so. Vīraka starts to climb in. Chandanaka seizes him violently by the hair, throws him down, and kicks him.] Vīraka. [Rising. Wrathfully.] Confound you! I was peaceably going about the king's business, when you seized me violently by the hair and kicked me. So listen! If I don't have you drawn and quartered in the middle of the court-room, my name's not Vīraka. Chandanaka. All right. Go to court or to a hall of justice. What do I care for a puppy like you?

Vīraka. I will.

[Exit.

Chandanaka. [Looks about him.] Go on, driver, go on! If anybody asks you, just say "The cart has been inspected by Chandanaka and Vīraka." Mistress Vasantasenā, let me give you a passport. [He hands Aryaka a sword.]

A sword, a sword! My right eye twitches fast. 1
Now all is well, and I am safe at last.

Chandanaka. Madam,

As I have given you a passage free,
So may I live within your memory.
To utter this, no selfish thoughts could move;
Ah no, I speak in plenitude of love.

Aryaka. Chandanaka is rich in virtues pure;

My friend is he—Fate willed it—true and tried.
I'll not forget Chandanaka, be sure,
What time the oracle is justified.

Chand. May Shiva, Vishnu, Brahma, Three in One,

Protect thee, and the Moon, and blessèd Sun;
Slay all thy foes, as mighty Pārvatī
Slew Shumbha and Nishumbha—fearfully.

[Exit Vardhamānaka, with the bullock-cart. Chandanaka looks toward the back of the stage.] Aha! As he goes away, my good friend Sharvilaka is following him. Well, I've made an enemy of Vīraka, the chief constable and the king's favorite; so I think I too had better be following him, with all my sons and brothers.

[Exit.


Footnotes

96:1 A bad omen, in the case of a woman.

99:1 Lallādīkshita says that these horoscopes indicate respectively distress, colic, stupidity, poverty, sorrow, destruction.

104:1 A good omen, in the case of a man.