1. Of old, indeed, they were wont to seize this victim as one dedicated to Savitri, but now they seize it as one dedicated to Pragâpati, saying, 'Savitri, in truth, is the same as Pragâpati.' It is therefore after having thrown together the (sacrificial) fires that they ought to perform this (animal) sacrifice on the Grihapati's own fires, thinking, 'May we also have a share in this tail (of the. victim) wherewith they are now making offering together to the wives
3. They also say, 'Seeing that the performers of a year's session become initiated for a year, how does their Agnihotra come to be uninterrupted?' Let him reply, 'By the fast-milk.'
4. They also say, 'Seeing that the performers of a year's session become initiated for a year, how does their Full-moon oblation come to be uninterrupted?' Let him reply, 'By the ghee and the sacrificial cake.'
5. They also say, 'Seeing that the performers of a year's session become initiated for a year, how does their New-moon oblation come to be uninterrupted?' Let him reply, 'By the sour curds and the cake.'
7. They also say, 'Seeing that the performers of a year's session become initiated for a year, how does their offering of firstfruits come to be uninterrupted?' Let him reply, 'By Soma's pap 2.'
8. They also say, 'Seeing that the performers of a year's session become initiated for a year, how do their seasonal offerings come to be uninterrupted?' Let him reply, 'By the Payasyâ 3.'
9. They also say, 'Seeing that the performers of a year's session become initiated for a year, how does their animal sacrifice come to be uninterrupted?' Let him reply, 'By the animal and the cake 4.'
10. They also say, 'Seeing that the performers of a year's session become initiated for a year, how
12. In the year there should be known to be uniformity:--one Atirâtra they perform before, and one after, the Vishuvat; fifty three Agnishtomas they perform before, and fifty-three after, the Vishuvat; one hundred and twenty Ukthya days they perform before, and one hundred and twenty after, the Vishuvat,--thus at least in the case of those who perform the Svarasâmans as Ukthyas.
13. And in the case of those who (perform them) as Agnishtomas, they perform fifty-six Agnishtomas before, and fifty-six after, the Vishuvat; one hundred and seventeen Ukthya days they perform before, and one hundred and seventeen after, the Vishuvat; six Shodasins they perform before, and six after, the Vishuvat; thirty Shadahas 1 they perform before, and thirty after, the Vishuvat:--such, then, is the uniformity of that (year), and, verily, he who thus knows this goes through a course of sacrificial performance which is uniform, and not ineffectual, neither defective nor redundant.
175:1 This is the regular procedure in accordance with Grihya rites, cf. Âsv. Grihy. IV, 2, 11-13; whilst Pâraskara, III, 10, 11, merely says, 'with the domestic fire they burn him who has established his (sacred) fire.'
175:2 For the 'puraskarana,' see part iv, p. 337, note 2.
176:1 Viz., by those rites which, during the time for which the Sacrificer is initiated, may be performed on his domestic (Âvasathya or Aupâsana) fire. Cf. Kâty. I, 1, 20. 21. Whether the domestic offerings to the Fathers (srâddha) may be so performed seems doubtful.
176:2 For the ordinary performance of the Âgrayaneshti, see part i, p. 370 seqq. According to Kâty. IV, 6, 11 seq. the performance of a year's sattra is to mark the time at which the offering of first-fruits would otherwise have taken place by using new grain for his vrata-food, as well as for two Rauhina cakes at the Upasads, and for the cakes offered in the animal sacrifice of the Soma days; and that a pap of new syâmâka (millet) is to be offered to Soma at the proper season (during the rains, or autumn), and a pap of bamboo grain in summer.
176:3 For this dish, made by the addition of fresh boiled milk to sour curds, see part i, p. 381, note 2.
176:4 That is, by the animal offered on each successive Soma day, and the (savanîya) purodâsas offered subsequently; cf. IV, 2, 5, 14-22.
177:1 That is, counting the Prâyanîya Atirâtra, Katurvimsa, Abhigit, and three Svarasâmans as one six-days’ performance, before the Vishuvat; and the three Svarasâmans, the Visvagit, Goshtoma, Âyushtoma, four days of the Dasarâtra (preceding and succeeding the central Shadaha), the Mahâvrata, and Udayanîya Atirâtra as two six-days’ performances after the Vishuvat.
