I. Arabic Poetry and Annalistic were developed independently of the learning of the schools. But as time went on, Literature and Historical Composition could not remain untouched by foreign influences. A few notices, confirmatory of this statement, must suffice us here. The introduction of Islam involved no break with the poetical tradition of the Arab race, such as had been occasioned by Christianity in the Teutonic world. The secular literature of the times even of the Omayyads handed down many wise sayings, partly taken from ancient Arabic poetry, which rivalled the preachings of the Koran. Abbasid Caliphs, like Mansur, Harun and Mamun, had more literary culture than Charlemagne. The education of their sons was not confined to the reading of the Koran: it embraced acquaintance also with the ancient poets and with the history of the nation. Poets and literary men were drawn to the courts and rewarded in princely fashion. In these circumstances, Literature underwent the influence of scholarly culture and philosophical speculation, although, in most cases, in a very superficial manner. The result is specially exhibited in sceptical utterances, frivolous mockery of what is most sacred, and glorification of sensual pleasure. At the same time, however, wise sayings, serious reflections and mystic speculations made their way into the originally sober and realistic poetry of the Arabs. The place of the first natural freshness of representation was now taken by a wearisome play on thoughts and sentiments, and even on mere words, metres and rhymes. 2. The unpleasant Abu-l-Atahia (748-828), in his effeminate poetry, is nearly always talking about unhappy Whoever possesses any faculty for appreciating life and the poetry of Nature will find little to enjoy in his world-renouncing songs; and just as little satisfaction will be afforded him in the verses of Mutanabbi (905-965), frightfully tedious in their contents, although epigrammatic in their form. And yet Mutanabbi has been praised as the greatest Arabic poet. In like manner people have unduly extolled Abu-l-Ala al-Maarri (973--1058) as a philosophic poet. His occasionally quite respectable sentiments and sensible views are not philosophy, nor does the affected though often hackneyed expression of these amount to poetry. Under more favourable conditions,--for he was blind and not surpassingly rich,--this man might perhaps have rendered some service in the subordinate walks of criticism as a philologist or a historical writer. But, in place of an enthusiastic acceptance of life's duties, he is led to preach the joyless abandonment of them, and to grumble generally at political conditions, the opinions of the orthodox multitude, and the scientific assertions of the learned, without being able himself to advance anything positive. He is almost entirely wanting in the gift of combination. He can analyse, but he does not hit upon any synthesis, and his learning bears no fruit. The, tree of his knowledge has its roots in the air, as he himself confesses in one of his letters, though in a different sense. He leads a life of strict celibacy and vegetarianism, Other literary men had a more practical philosophy, and could make their weight more felt in the world. They subscribed to the wise doctrine of the Theatre-Manager in Goethe's Faust: "He who brings much, will something bring to many". The most perfect type of this species is Hariri (1054-1122), whose hero, the beggar and stroller, Abu Zaid of Serug, teaches as the highest wisdom: 3. The Annalistic of the ancient Arabs, like their Poetry, was distinguished by a clear perception of particulars, but
We are accustomed at the present day to picture to ourselves the Oriental as a being who, in contemplative repose, is completely bound to his ancestral faith and usages. This representation is not quite correct, but still it agrees better with the situation which now exists than it does with the disposition of Islam in the first four centuries, for during that period it was inclined to take into its possession not only the outward advantages of the world, but also the intellectual acquisitions of Mankind. 67:1 V. Rückerts Uebers. d. Makamen II, p. 299.
All the world's a wood for hunting.
If the falcon should escape you,
Take, content, the humble bunting:
If you finger not the dinars,
Coppers still are worth the counting" 1.
Footnotes