Pausanias 193 says that there were two ways of accounting for the name of the town Pyrrhichus in southern Greece. One derived it from Pyrrhus, son of Achilles, the other, from Pyrrhichus, a god of "the so-called Curetes." There was also a local story that the town was settled by Silenus from Malea. Pausanias adds that the people about Malea explained how Silenus came to be called Pyrrhichus also, but he does not give the explanation. He concludes his remarks about the town with these words: "In the market-place there is a well of water which they believe was given to them by Silenus. There would be a dearth of water, if this well should fail. The gods who have sanctuaries in their land are Artemis, surnamed Astrateia, because the Amazons here ceased their forward march, and Apollo Amazonius. The statues are both xoana, and they say that they were set up by the women from the Thermodon." Thus the sole mention of these two cult-epithets, presumably of great value to the investigator of the Amazon tradition, occurs in a passage which offers no help toward understanding them and in a puzzling context. It is strange to hear of the Amazons in Laconia, a canton in no way associated with the stock tale, as we know it, of the invasion of Attica. The few words in Pausanias suggest that the legend at Pyrrhichus told of the halting of a large army. In this it would differ from the Boeotian tradition 194 of a small band of Amazons separated from the rest in their rout by Theseus. There is no
It has been assumed in the preceding paragraph that Artemis Astrateia, because she is a goddess of the Amazons, is practically identical with Ephesia, and on this assumption an hypothetical interpretation of Apollo Amazonius has been based. In order that the investigation may be pursued from a different point of view, this argument may be dismissed for the present, to give place to an inquiry concerning the meaning
If Astrateia be "Artemis of the War-host," she was presumably an armed goddess. Pausanias 204 records that there was a statue of Artemis in Messenia bearing shield and spear. At Laodicea there was the conception of an armed Artemis, as shown by coins, and since the Laodiceans claimed to possess the original cult statue of the Brauronian goddess, 205 who was identified with the Tauric Virgin, 206 there is reason to believe that these two types of Artemis, Brauronia and Taurica, depicted her as an armed goddess. Furthermore, Artemis appears as a goddess of battle in her cult as Agrotera, for she regularly received sacrifice from the Spartans before a campaign or a battle; 207 at Athens the polemarch, assisted by the ephebes, in commemoration of Marathon sacrificed annually to her in conjunction with Enyalius; 208 and at Aegaera in
But not one of these epithets of warlike Artemis is suggestive of the word Astrateia. The nearest approach to it is in three surnames of Aphrodite,--Strateia at Mylasa, 212 Strategis at Paros, 213 and Stratonikis at Smyrna, 214 of which the first is startlingly similar to the one under consideration. The only epithet among those used of Artemis which calls Astrateia is Hegemone. Artemis Hegemone was worshipped at Tegea, at Sparta, and near Acacesium in Arcadia. About her cult at Tegea there is nothing told which would differentiate this from other types. 215 At Sparta she was worshipped with Eileithyia and Apollo Carneüs in a shrine near the Dromos. 216 Eileithyia seems to have been a primitive goddess, whose worship was pre-Hellenic, and who in classical Greek times was identified with Artemis as helper of women in travail. 217 The torch was
The investigation of Hegemone as an epithet would be incomplete without the mention of the use of the word in three other instances: alone, as the name of a goddess; as surname of Aphrodite; in adjectival form Ἠγεμόνιος; as an epithet of Hermes. The first of these shows Hegemone as the name of one of the divinities by whom the Athenian ephebes swore: "Be ye judges of the oath, Agraulus, Enyalius, Ares, Zeus, Thallo, Auxo, Hegemone." 227 Agraulus, Thallo, Auxo, and Hegemone appear to have been old deities of the soil. Pausanias 228 gives Thallo as one of the two Horae whom the Athenians worshipped with Pandrosus. He gives Auxo and Hegemone as the two Charites who had been revered at Athens from of old ἐκ παλαιοῦ) 229 The evidence for the worship of Aphrodite Hegemone is an altar basis found on the Acropolis at Athens with the inscription: Ἀφροδίτῃ ἡγεμόνῃ τοῦ δήμου. 230 Epigraphical evidence also furnishes the epithet Hegemonius with Hermes. The inscription 231 comes from the
But whether Artemis Hegemone gained her epithet from a warlike character or not, she is undeniably a goddess whose attribute was the torch, and in this she approaches several of those forms of Artemis which are admitted to be martial. 232 Artemis Agrotera was a huntress like the Artemis, probably Hegemone, beside the throne of Demeter in the sanctuary of Despoena. Like her, and also like the Artemis of the outer shrine, who was certainly Artemis Hegemone, she was a goddess of the torch. The fact comes out in the story of the rout of the Sicyonian army at Aegaera. In the version which the Pseudo-Plutarch gives of the ceremony in which the Polemarch and ephebes sacrificed at Athens in memory of Marathon he substitutes Hecate for Artemis Agrotera, the name given by
The torch does not appear as a feature in the Hellenic worship of Artemis until the fifth century B.C. After that its connection with the cult becomes steadily more and more prominent. Its association with this goddess may be traced historically to the influence of orgiastic rituals from Thrace and Asia Minor, like those of the Mother and Dionysus, and it is to be explained by the tendency to identify Artemis with various forms of Magna Mater. 235 The inference is inevitable that the three types of Artemis,--Agrotera, Hegemone, and Laphria--approach one which may be called Thracian-Phrygian, probably that of Hecate, in so far as she is similar to Cybele. These three forms of Artemis are warlike in character, but it is impossible to state with certainty that any one of them was represented in the cult image as an armed goddess. Such a statement can be made only of the statue of Artemis at Laodicea and of that which Pausanias saw at Messene. We possess no further record of the latter, but we are practically sure that the former was the type surnamed Taurica and Brauronia. 236 Since the home of this cult was the Tauric Chersonese, where the goddess was called the Virgin, the type must be classed as Thracian, and since it resembles that of Rhea-Cybele and Artemis Ephesia, it may properly be called Thracian-Phrygian. Thus not only the forms of Artemis
It remains to consider the possibility that she is Astarte. Cicero 237 remarks that Astarte of Syria was identified with Aphrodite, and that in this conception she appears as the wife of Adonis. Herein the type of Aphrodite approximates that of Cybele in Lydia and Phrygia where Atys corresponds to Adonis. At Hierapolis the Syrian goddess described by the Pseudo-Lucian has characteristics of Artemis as well as Aphrodite. In these rites the torch was a prominent feature, as in those of the Thracian-Phrygian Mother. Thus Artemis Astarte might be precisely the same as Warlike Artemis. Moreover, even if the goddess at Pyrrhichus were an Astarte more similar to Aphrodite than to Artemis, the probabilities would be strong in favour of the theory that she was armed, for the cult epithet of Aphrodite-Astarte in Greek religion was Urania, of whom there is reason to believe that she was the armed Aphrodite. 238 So from two hypotheses, the one, that Artemis Astrateia is Warlike Artemis, the other, that she is Astarte, 239 the inference is to be drawn that the image at Pyrrhichus showed her armed. On the assumption that the goddess was armed it is reasonable to suppose that an armed god was grouped with her. It is easy to imagine the Hellenic Apollo defending his people,
The theory that Pyrrhichus was a god of the so-called Curetes implies that these are here conceived to be a primitive
There are the same implications in the statement 260 that Pyrrhichus, a god of these Curetes, was another name for Silenus. The oldest and most persistent legends in regard to Silenus connect him with the country about the Maeander in Phrygia. 261 He belongs to the rites of Dionysus, which were intimately related to those of the Mother. The Cabiric
The study of the Curetes of Laconia yields evidence in accord with that gathered from other courses of reasoning adopted above. The forerunners of the Hellenes in Laconia seem to have been akin to the people of Acarnania, where Apollo was the patron of the Curetes, the original home of the prophet Carneüs. They seem also to have been related to the race who worshipped the Mother under the type of the goddess of Ephesus. It must be concluded, therefore, that Artemis Astrateia was a form of Ephesia, and that Apollo Amazonius was the prophet-archer who was worshipped with her at Ephesus, and whose cult belonged to Phrygians, Lycians, Cretans, and the pre-Hellenic folk of Greece.
40:193 Paus. 3. 25, 1-3. Pausanias quotes Pindar on Silenus, "the zealous beater of the ground in the dance." 40:194 Paus. 1. 41, 7. 41:195 Iliad, 1. 38-39, and schol. ad I.; ibid. 451; Steph. Byz. s.v. Ἴλιον, Τένεδος; Paus. 10. 12, 1-6. Pausanias (l. c.) gives an account of the Sibyl Herophile, conceived to have been the second who filled the office at Delphi. The god whom she served was evidently identified with Smintheus. Herophile was called in some epic sources Artemis, in others, the wife of Apollo, in others, his daughter or a sister other than Artemis. She seems to have been in some way connected with Trojan Ida. 41:196 Cicero, De Natura Deorum, 3. 57. 41:197 Cf. Hoeck, Kreta, 3. p. 146. 41:198 P. 36. 42:199 Soph. l. c. (Oed. R. 204 ff.). The date of Sophocles in the best Greek period gives the passage special importance. 42:200 Pind. Ol. 8. 47. 42:201 Macr. Saturn. 1. 17-18. 43:202 Farnell, op. cit. 2. p. 485. Elsewhere (2. p. 473) Farnell speaks of the identification between Artemis and the Semitic goddesses, Astarte, Derceto, Atargatis. 43:203 Rouse, Greek Votive Offerings, p. 119. 43:204 Paus. 4. 13, 1. 43:205 Paus. 3. 16, 8. 43:206 Paus. 3. 16, 7-9. 43:207 Xen. Hell. 4. 2, 20. 43:208 Pollux, 8. 91. 44:209 Paus. 7. 26, 2-3. 44:210 Paus. 4. 31, 8. 44:211 Farnell (op. cit. 2. p. 471) suggests that Laphria is derived from λάφυρα. For a coin of Messene, which may represent Laphria, showing a woman huntress with a spear v. Imhoof-Blumer and Gardner, Numism. Comment. on Paus. p. 67, pl. P3. 44:212 C. I. G. 2693. 44:213 Le Bas, Îles, 2062. 44:214 C. I. G. 3137. Cf. Tac. Ann. 3. 63. 44:215 Paus. 8. 47, 6. 44:216 Paus. 3. 14, 6. 44:217 Cic. De Nat. Deor. 2. 27, 68; Paus. 1. 18, 5; 2. 22, 6-7; 7. 23, 5-7; 8. 21, 3. The Orphic Hymn to Artemis confuses her with Eileithyia and Hecate. 45:218 On the Carnea, the chief festival of Sparta, v. Herod. 7. 206; 8. 72. This festival commemorated the Dorian conquest. Therefore during its celebration the people remained under arms and lived camp life. The feast was also one of harvest. Cf. the Jewish Feast of Tabernacles for a striking parallel. V. Mommsen, Heort. 45:219 Paus. 3. 13, 3-5. 46:220 Paus. 8. 24, 9. Apollo is called the patron of the Curetes against the Aetolians, Paus. 10. 31, 3. 46:221 V. references in n. 217. 46:222 Paus. 8. 37, 1. 46:223 On the sanctuary of Despoena v. Paus. 8. 37, 1 ff. 46:224 On the Titanes v. J. E. Harrison, British School Annual, 1908-09, pp. 308-338. 47:225 Harrison and Verrall, Myth. and Mons. of Anc. Athens, p. 383. 47:226 Ch. II, The Great Mother. 47:227 Pollux, 8. 106. 47:228 Paus. 9. 35, 1-7. The other Hora was Carpo. 47:229 With Paus. 9. 35, 1-7 cf. Herod. 2. 50. Pausanias ascribes to Eteocles of Orchomenus the introduction of three Charites. Herodotus names the Charites among the aboriginal deities of the Hellenes. 47:230 C. I. A. 4. 2, 1161 b; Lolling in Δελτ. Ἄρχ. 1891, pp. 25 ff., 126 ff.; Homolle in Bull. de Correspondance Hellén. 15 (1891), pp. 340 ff. 47:231 C. I. A. 2. 741, Fr. a, 20; b, 14, 1207, 7; Judeich, Topographie v. Athen (Müller's Handb. d. klass. Altertumste. 3. 2, 2) p. 400. 48:232 On the types of warlike Artemis v. supra, pp. 43-44. 49:233 Paus. 7. 18, 11-13. 49:234 For references v. n. 118. 49:235 Cf. Farnell op. cit. 2. pp. 474-475. 50:237 Cic. De Nat. Deor. 3. 23, 59. 50:238 Cf. Paus. 1. 14, 7; 3. 23, 1. V. infra, ch. V, Ares. 50:239 Possibly there is some support for Farnell's hypothesis, that Astrateia is a corruption for Astarte, in the words of St. Stephen's sermon recording the apostasy of the Jews to the Syrian goddess: ἔστρεψεν δὲ ὁ Θεὸς καὶ παρέδωκεν αὐτοὺς λατρεύειν τῇ στρατιᾷ τοῦ οὐρανοῦ, Acts, 7. 42. 51:241 Paus. 3. 18, 6-19, 5. V. Frazer's commentary on the passage. 51:242 Paus. 3. 2, 6; 3. 19, 6. 51:243 Paus. 3. 19, 6. There was a dispute between Amyclae and Mycenae, each of them claiming to possess the tomb of Cassandra (Paus. 2. 16, 6). The word Alexandra suggests the Trojan name of Paris. It implies a woman warrior, or one averse to marriage. In the latter connotation it suggests Cassandra's refusal to marry Apollo after she had obtained from him the gift of prophecy; it suggests also the other famous story of the sacrilege of Ajax. 51:244 Paus. 3. 26, 5. 52:245 From the Agamemnon of Aeschylus it is to be inferred that the cult epithets of Trojan Apollo were Loxias and Agyieus, the names by which Cassandra cries to him. Loxias has the same significance, Eumen. 19. 52:246 On the Hyacinthia v. Paus. 3. 19, 3-4; Athen. 4; Ovid, Met. 10. 219. In the Laconian myth Hyacinthus was the son of Amyclas, one of the autochthonous kings of Sparta. He became the favourite of Apollo, by whom he was accidentally slain. The legend presents parallels to the story of Agdistis and Atys and that of Aphrodite and Adonis. On the tale v. Paus. 3. 1, 3; 3. 10, 1. A legend of Salamis connected the origin of the hyacinth with the death of Ajax. 53:247 Paus. l. c. (3. 25, 1-3). 53:248 Paus. 3. 25, 1. 54:249 Apollod. 1. 7, 6. 54:250 Paus. S. 24, 9. It is interesting to compare the suggestion that the Cabiri were a primitive folk of Boeotia (Paus. 9. 25, 6). 54:251 Il. 9. 527-599. Cf. Bacchylides, 5. 76-164. 54:252 Paus, 10. 31, 3. 54:253 Apollod. 1. 8, 2; Ovid, Met. S. 300; Hyg. Fab. 173. 54:254 Iliad. 9. 557-560; Apollod. 1. 7, 9; Schol. Iliad (Ven.), 9. 553; Schol. Pind. Isth. 4. 92 (quoting Bacchylides). 55:255 Iliad, 9. 565-572; Apollod. 1. 8, 1; Eurip. Meleager, Fr. 1. 55:256 Schol. Ap. Rh. 1. 146. 55:257 Paus. 3. 1, 1; 4. 1, 1. 55:258 V. supra, ch. II, p. 23. Cf. Paus. 10. 38, 7. V. Toepffer, Attische Genealogie, p. 220. 55:259 V. supra, ch. III, pp. 35 ff. 55:260 Pind. ap. Paus. l. c. (3. 35, 2). 55:261 Herod. 7. 26; 8. 138; Paus. 1. 4, 5; 2. 7, 9. 56:262 Cic. De Nat. Deor. 3. 23, 58. 56:263 Athenaeus (Deipnosoph. 14. 7) ascribes the invention of the Pyrrhic dance to Athena. Plato (Legg. 796 B) says that after the gigantomachy she imparted the rite to the Dioscuri. It is noteworthy that Melampus by a dance cures the Proetides whom Dionysus has driven mad (Apollod. 2. 3, 7), and that by some theologians Melampus was reckoned as a Dioscurus along with Alco and Tmolus, sons of Atreus (Cic. De Nat. Deor. 3. 21, 53). Dionysus himself was sometimes classed as a Dioscurus, i. e. at Athens in the worship of the Anaces (Cic. l. c.).ARTEMIS ASTRATEIA AND APOLLO AMAZONIUS
Footnotes